i have feelings that are too real for characters that are fictional
it’s late and i know what you said but you’re the jackson to my danny, the apple to my pie and all that
The first time I saw this scene - and the second and the third - I didn’t realize just HOW disturbing it was. But the cinematography, the lighting… the way Peter touches Stiles… when you realize he’s being much more gentle with Stiles than he was with Lydia…
Ian Bohen is so incredibly creepy here. And this is why I like Peter, no, LOVE him: he’s a genuinely creepy, disturbing villain yet we as viewers tend to forget about it because he’s also sassy and a lot of fun. But gosh, sometimes, he gives me the willies… O.o
Oh god yes. This scene is SO disturbing. The cinematography gives me the chills because everything about this practically screams //rape// to me. The way Stiles kneels before him (begging for Lydia’s life, telling him “just kill me, I don’t even care anymore …”, basically offering himself up to save her) and the way Peter gently strokes his chin and forces him to get up … that was actually one of the most disturbing moments of the whole show for me.
I mean this is the guy who killed his nurse and put her body in his trunk. The guy who mind-controlled and practially raped Lydia.
Who killed his own niece. Who attacked Scott.
And when he kidnapped Stiles and brought him to the parking garage - Stiles MUST have thought he was going to die. I mean Peter showed him a dead body - he showed him one of his victims! He made him find Derek. So why would he let Stiles go? Stiles is a witness.
Stiles had no reason to think Peter would let him go at all…
And it kills me that this was never adressed properly in the show, because Stiles witnessed the girl he loves getting torn apart and he was forced to help the same psycho to find his best friend .. and the whole time he was aware of the fact that this guy drove around with a corpse in his trunk.
He must have thought he would die that night. Because there was absolutely no telling what Peter would do or not do at any given moment.
Agreed! Though I didn’t mind that much that it wasn’t addressed in the show itself because it adds another layer to Stiles’ character: he never tells when it’s about him. He keeps all the fear and horror hidden, he keeps quiet. Always. Oh, he does tell when it’s necessary for others to know something, but only bare details, never anything that affected him personally, his safety…
I wonder, do Stiles’ friends and his father even suspect how many times he tried to commit suicide (at least twice in S3B) or offered his life for another, genuinely prepared to die? I think they, especially Scott and his father, would be genuinely disturbed if they knew just how many times Stiles almost died in the last two years and never said anything.
a little comic dedicated to a friend
I needed this really bad. thank you.
tysm whoever reblogged this
reblogging again for anyone who needs it
my time has come
i want people to know i’m struggling but i don’t want people to know i’m struggling do you see my problem
'Basic House' By Martin Azua
"When unfolded it self inflates with body heat or from the heat of the sun to provide an instant shelter. Once inside the shelter, the material reflects your body heat to keep the user warm. If reversed the material will reflect the sun to keep a cool interior.”
nigga living in a jiffy pop house
The Workaholics Guys Find a New Cubicle Mate featuring Zac Efron
Let’s play a game.
Type the following words into your tags box, then post the first automatic tag that comes up.
you, also, what, when, why, how, look, because, never
EVERYONE LOOKS 2000 TIMES HOTTER IN A LEATHER JACKET ITS SCIENCE
pbbbfft, science. yeah right
let me try.
pretty sure it’s not going to-
what the fUCK
that can’t be right. let me just
WHY;W STHIS THIS
jeSUS fUCKIGN CHIR;ST
2000 times hotter you say?
well i mean i guess if its scientifically proven
"jacket made from 100% pl-"
Mulan Wolf x
“This piece was primarily a trust exercise, in which she told viewers she would not move for six hours no matter what they did to her. She placed 72 objects one could use in pleasing or destructive ways, ranging from flowers and a feather boa to a knife and a loaded pistol, on a table near her and invited the viewers to use them on her however they wanted.
Initially, Abramović said viewers were peaceful and timid, but it escalated to violence quickly. “The experience I learned was that… if you leave decision to the public, you can be killed… I felt really violated: they cut my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the public. Everyone ran away, escaping an actual confrontation.
This piece revealed something terrible about humanity, similar to what Philip Zimbardo’s Stanford Prison Experiment or Stanley Milgram’s Obedience Experiment, both of which also proved how readily people will harm one another under unusual circumstances. This performance showed just how easy it is to dehumanize a person who doesn’t fight back, and is particularly powerful because it defies what we think we know about ourselves. I’m certain the no one reading this believes the people around him/her capable of doing such things to another human being, but this performance proves otherwise.”
This is why performance art is important.
So to the parents and every single other person who has ever told someone, “Ignore them they’ll go away,” “You can’t let them know they bothered you,” “They’ll stop if they don’t see you react,” and all that bullshit, I want you to look good and hard at this.
I want you to think about what you said.
What you keep saying.
What you are telling your children.
You are making them powerless.